It's called Hit The Breaks, and it's composed exclusively of breakbeats.Īside from their incarnations in jungle and drum 'n bass-or your fantasies about dancing in that club from The Matrix-the rich history of breakbeats seems to get overlooked all too often by even the more knowledgable dance music heads. Now, he's making his debut on Liberation Technologies with another EP based around a single theme.
Fisher also recently took up the pseudonym Kirk the Flirt & Peter Pressure to deliver a record of sparkling disco edits and Jersey house on Vancouver label 1080p. As the founder of his own Allergy Season label, he put out a compilation of "genre-free dance music" called Side Effects May Include:, as well as delectably wonky EPs from Draveng and Max McFerren. As the artist explained to Resident Advisor last year, "Even when I think I'm doing the most techno thing, it's gonna be weird." This penchant for the bizarre and unexpected certainly comes through on other EPs of Fisher's, like Waiting Room In DJ Hell and Yes, I'm Elastic, where the frame for "normal" dance tracks gets corroded and clouded with doses of striking strangeness.Ģ015 has found Fisher sporting as many hats as ever. Today, an affinity for stylistic polyamory and the leftfield still courses through everything Fisher puts his mind to.
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